Mike Shaw worked with The Who for just a few years, from 1964 to 1967, when he had a car crash that rendered him paraplegic, wheelchair bound with limited use of his upper body.
In his time with us before the accident, he ran everywhere in Soho where Track offices were based, like a jinn. A definitive Mod, he was fastidious about his clothing, and good to look at. He had the most peculiar sense of humour, clipped and self-deprecating. Our early Goldhawk Mod fans remembered him with great affection. He went on to work at Track Records for many years, supervising several major Who repackages, and much more.
A childhood friend of our present manager Bill Curbishly, and our first manager Chris Stamp, he grew up in the East End, but seemed a little posh somehow. He was certainly discriminating. He acted as the first Production Manager in the rock business, dealing with band movements, hotels, equipment transport, dealing with the tough promoters of the day, and operating the first serious lighting rig ever used by a small band in the early ’60s. The Beatles never even had their own P.A. system let alone lights – though they did have a couple of great roadies of course in Neil (Aspinal) and Mal (Evans).
Eventually, in the ’80s, he found work too tricky and needed daily nursing, and moved to live in St Austell in Cornwall in a modest house, but one that had the most inspiring view of the sea between the Fowey River over to Megavissy. That kept his soul alive, and although often lonely, he never lost heart. We all tried to see him as often as we could.
He and Chris Stamp passed away within weeks of each other. They were boyhood buddies.
November 28th, 2012